Friday, 15 September 2017
This coming week sees another familiar face back with a new collection: Oz Hardwick and The House of Ghosts and Mirrors. The cover art, partially pictured above, is a photo of the exact spot where Oz was born, which should give you a clue about to what to expect from the new book – we're looking backwards only to find ourselves, figures from generations past, and a touch of both the infinite and the domestic. (And there's a few darkly funny bits, he's only human!)
Here's the opening poem, which asks a few questions that may linger, unanswered, within your mind for some time: (you have been warned)
The Pros and Cons of Immortality
Is it really so bad to begin with an ending?
Here I am, queueing for dreams
in a new world that hardens around me
like a scab on the wound of growing apart
from where I belong, what I know.
So, I ask again, is it really so bad
to be here, where walls crumble,
where your solitary love
is long gone and, surely, forgotten?
Because from here – half a century away,
and counting – even I forget
most of the time. But
that’s what hurts, you tell me,
the long forgetting that hangs
in the air, its cold breath
dampening your sleepless face.
You forget everything
one heartbeat at a time
until you forget yourself.
But is that really so bad?
Antony Dunn says Oz's new collection is 'sad in the best way', which is a great turn of phrase (he's known for them I guess). By the way, you can now enjoy an hour in Antony's company via the video of our sixth "Literary Lunch Hour", which can be found here; we really get to the bottom of how he writes, what makes him tick, how his latest collection was assembled and many other crucial matters. I'm so glad we took the trouble to film these events; they stand as a great record of some truly magnificent writers.
Back on the subject of Oz, and speaking of events (this newsletter is a tricky one, keep up!), he is launching his new collection at York Explore on the 30th September, all details here. This is our day of being in four places at once: you'll remember John Wedgwood Clarke's book launch is also that day, and I'll tell you about the other two events in the next newsletter – you're spoiled for choice!
What's more, both those authors are leaping out from the printed page at the moment: John can be seen on TV screens shortly hosting Through the Lens of Larkin, which Yorks/Lincs residents can catch on BBC1 next Wednesday, the 20th September, at 7.30pm. The rest of you must wait until the 25th September on BBC4, also at 7.30 (and I'll share the iPlayer links here if I remember). It should be excellent, particularly if you have even the slightest interest in Philip Larkin.
Oz, meanwhile, has been working with musician Peter Byrom-Smith on an album setting some of his latest poems (also featured in the book) to music, which can be found here; one for all you opera fans I would say, and there's a great story behind it involving Oz's maternal grandfather.
You're up to date with Valley Press now, thanks as ever for sparing me some of your time. I'd like to end by saying we approve of the shortlist for this year's Booker Prize (we didn't have any eligible titles, so there's only good wishes!) It includes a debut author from York, evidence (as if you needed any) that North Yorkshire is fast becoming the centre of the literary universe ... and Paul Auster, who after hanging out with Nora Chassler last month, is pretty much part of our gang. As are you, dear reader! It's quite the organisation we're running here...
Jamie McGarry, VP Publisher
Friday, 8 September 2017
Friday, 1 September 2017
This is Jamie – Jamie McGarry that is, "the original" – back at the helm of the newsletters to see you through what should be a busy autumn season. The start of September means the beginning of our new schedule, bringing you three new titles per month in September, October and November; and we'll need to maintain that pace going forward, to keep the now seven-strong VP team supplied with the posh biscuits that they deserve.
Our first September book is titled This Is Not a Stunt, and it's by Cath Nichols, from an original submission in May 2015. Like many poetry collections, simply listing the key themes – in this case, disability and gender identity – fails to do justice to the great swathe of human existence which is captured within the pages. Many of the joys, frustrations and monotonies of life are featured, but it was the short poem below that originally stopped my eye when reading through the 2015 manuscripts:
I then saw this one, which sealed the deal: